Does Your Novel Have The 'IT' Factor?

More books are published every year than Hollywood movies that are made. If you think about it, that's a heck of a lot of books. But, how do those books make it from the writer's computer screen to a paperback in a readers hands? That's what we're going to talk about today.

Everybody knows that getting a book published is a long lengthy process. First you write the novel, second you revise, and after you've revised a dozen times more, you write a good query(which you probably rewrite ten times as well) and then you do what I like to call, 'throwing yourself to the sharks'.

I use that analogy because sometimes get a bite, sometimes you won't, and sometimes your WIP will get chewed up and spit out.

For the ones whose novels get picked up right away or the ones who don't have a hard time finding an agent at all, they've all got something I like to call the 'it' factor.

What exactly is the 'it' factor? I'm going to tell you.

Do you know how many queries most agents receive a week? Hundreds. For some maybe thousands. But what do you think makes an agent go, hmmmm, I think I'd like to see more?

Me personally, I don't read queries. The minute I receive a query letter, I'll scroll down to the bottom of the email and read the first couple pages that accompanies that letter. I'm not concerned about how well a writer can compose a query letter. I know plenty of great writers that can't write them at all. What I really want to know is if they can write a novel, make it appealing, and make it flow. And I may be different from a lot of agents, but I know I'm not going to be able to tell that just by reading their query.

After I've read the first few pages, I'll ask myself a few questions; Does the voice grab me? What are the descriptions like? Has the writer created an authentic world? Then, I'll scroll back up and skim through the query. Shortly after that, I'll either reject or request.

Then comes the partial or full.

When I read a manuscript, I know after the first chapter whether I want it or not. And sometimes I go a little further and read to chapter three. For me, chapter three is the breaking point. If I can't read past chapter three it's a done deal, I'm probably going to reject.

So what leads to that point?

If the story doesn't build much in the first couple chaps and the pacing is slow. I like to be so involved in what I'm reading that I don't want to do anything else. And if the story is blah and I'm there yawning instead of saying Omigosh, it's just not the type of book for me.

If each chapter you finish ends with a wow, I just have to read more. The end of your chapters should leave the reader on the edge of their seats, wanting to plow through the whole novel in record time.

Does it lead up to something? Is there something big that's going to happen? And in the meantime are there good subplots throughout? I think subplots are important. They distract the reader. They keep you wondering until they're hit with the big bang at the end of the book. Who doesn't like a book that goes out with a bang, huh?

In the end, all you can do is your best, and I admire that quality in writers. Most have this will to keep going and that's so important. It's that will that'll eventually get you somewhere, so don't give up!

Cheers!